Published by Penguin on May 1st 2018
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“She thought of Ambrose still, every day”
Every paragraph, it felt like.
“She thought of Ambrose still, every day”
Every paragraph, it felt like.
In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. . . .
“When we migrate, we murder from our lives those we leave behind.”
I thought this book was quietly brutal. And quietly beautiful, as well.
Elias and Laia are running for their lives.
After the events of the Fourth Trial, Martial soldiers hunt the two fugitives as they flee the city of Serra and undertake a perilous journey through the heart of the Empire. Laia is determined to break into Kauf—the Empire’s most secure and dangerous prison—to save her brother, who is the key to the Scholars' survival. And Elias is determined to help Laia succeed, even if it means giving up his last chance at freedom. But dark forces, human and otherworldly, work against Laia and Elias. The pair must fight every step of the way to outsmart their enemies: the bloodthirsty Emperor Marcus, the merciless Commandant, the sadistic Warden of Kauf, and, most heartbreaking of all, Helene—Elias’s former friend and the Empire’s newest Blood Shrike.
Bound to Marcus's will, Helene faces a torturous mission of her own—one that might destroy her: find the traitor Elias Veturius and the Scholar slave who helped him escape...and kill them both.
From the Hardcover edition.
I realize I am not staring into his eyes. I am staring into my future.
I see it for a moment. Pain. Suffering. Horror. All that I love, all that matters to me, awash in blood.
Oh my god. I loved it.
They had nothing in common until love gave them everything to lose . . .
Louisa Clark is an ordinary girl living an exceedingly ordinary life—steady boyfriend, close family—who has barely been farther afield than their tiny village. She takes a badly needed job working for ex–Master of the Universe Will Traynor, who is wheelchair bound after an accident. Will has always lived a huge life—big deals, extreme sports, worldwide travel—and now he’s pretty sure he cannot live the way he is.
Will is acerbic, moody, bossy—but Lou refuses to treat him with kid gloves, and soon his happiness means more to her than she expected. When she learns that Will has shocking plans of his own, she sets out to show him that life is still worth living.
As much as I like a good love story, I wouldn’t call myself a romantic. Not by a long shot. In fact, I can be pretty cold-hearted when it comes to romance books, remaining emotionless in the face of tragic heartbreak and loss. The Fault in Our Stars didn’t move me. Eleanor & Park was cute, but still an average read for me.
There’s just certain things that I don’t like. Emotionally manipulative books that feel as if the author set out with an agenda to tug at my heart strings – that would be up there with the worst. I guess I subconsciously rebel when I can see what the author’s trying to do to my feelings. I avoid a lot of adult chick lit for this reason – because experience has shown that most of these books are like Lifetime movies: melodramatic and cheesily message-driven.
But somehow – despite my reluctance to try this book because it seemed it would fall into all the aforementioned boxes – I ended up caving under the pressure and grabbing this book from my local library. I didn’t expect much. I was just going to try a little bit and see how it went, feeling confident that it would be crappy and I would be right. But hell, I got schooled.
I just… I can’t even pretend anymore, screw the book snobbery, I thought Me Before You was wonderful.
I shipped like crazy.
I stayed up most of the night.
Being proven wrong may never have felt so good.
I got the giggles about halfway through chapter one and struggled to get rid of them. Humour books are always a difficult sell because I guess it always depends on what you find funny… but I found Lou Clark to be an hilarious heroine. She’s one of those charming but unfortunate individuals that finds herself in numerous awkward situations but somehow gets through them and just warms your heart with her delightful lack of propriety.
I don’t know if there is really such a thing as a “British sense of humour” but I’ve enjoyed a bunch of British chick lit/humour with similar MCs – Bridget Jones, Confessions of Georgia Nicholson – so maybe there’s a pattern here with my tastes.
If you’re considering this book but think you’re a shameless unromantic like me, DO NOT read any quotes from it. People keep pulling up these quotes about the meaning of life and carpe diem and it makes the whole thing seem much cheesier than it is. I thought there was a pleasant lack of cheese, hehe. It’s also nowhere near as romantic as everything tries to make you think: the cover (the UK one is even worse), the blurb, the title… when actually there’s very little romance. There is a touch of finding love in unexpected places and against the odds, but the main focus of this book is about life and the importance of choices.
If you haven’t already been told, the story is about Lou who needs a job and Will who needs a carer after an accident left him paralysed. Completely unable to move anything below his mid torso, Will longs for death and wants to go to Switzerland to put an end to his misery. Horrified by this discovery, Lou sets out to improve his life and give him a reason to live and look forward to each day. The relationship between them is told in such a wonderful way and develops through several stages, each filled with hilarity.
I think people’s reactions, emotions and decisions felt completely realistic in Me Before You, even if I didn’t always like them. The whole book was filled with the funny, ridiculous situations that we expect to find in comic fiction, but balanced out with a hard dose of reality. It makes you think about things you didn’t think about before without seeming like the author wanted to make you think about them. Things like just how depressing the lack of wheelchair access is in most venues. But there’s a great balance between the funny and the serious, so the latter never becomes too much.
This book made me feel all the emotions without seeming to try too hard. Love was found in a very unexpected place and I definitely want to check out the author’s other work.
The magical, stunning conclusion to the internationally acclaimed Half Bad trilogy.
The Alliance is losing. Their most critical weapon, seventeen-year-old witch Nathan Brynn, has killed fifty-two people, and yet he’s no closer to ending the tyrannical, abusive rule of the Council of White Witches in England. Nor is Nathan any closer to his personal goal: getting revenge on Annalise, the girl he once loved, before she committed an unthinkable crime. There is an amulet, protected by the extremely powerful witch Ledger, which could be the tool Nathan needs to save himself and the Alliance. But the amulet is not so easily acquired. And lately Nathan has started to suffer from visions: a vision of a golden moment when he dies, and of an endless line of Hunters, impossible to overcome. Gabriel, his closest companion, encourages Nathan to run away with him, to start a peaceful life together. But even Gabriel’s love may not be enough to save Nathan from this war, or from the person he has become.
“I’ve killed fifty-two people. But really all I want is to get my hands on her. I’d be happy with fifty-three. Just one more and I’ll be satisfied.”
“Reader, I murdered him.” A sensitive orphan, Jane Steele suffers first at the hands of her spiteful aunt and predatory cousin, then at a grim school where she fights for her very life until escaping to London, leaving the corpses of her tormentors behind her. After years of hiding from the law while penning macabre “last confessions” of the recently hanged, Jane thrills at discovering an advertisement. Her aunt has died and her childhood home has a new master: Mr. Charles Thornfield, who seeks a governess. Burning to know whether she is in fact the rightful heir, Jane takes the position incognito, and learns that Highgate House is full of marvelously strange new residents—the fascinating but caustic Mr. Thornfield, an army doctor returned from the Sikh Wars, and the gracious Sikh butler Mr. Sardar Singh, whose history with Mr. Thornfield appears far deeper and darker than they pretend. As Jane catches ominous glimpses of the pair’s violent history and falls in love with the gruffly tragic Mr. Thornfield, she faces a terrible dilemma: can she possess him—body, soul, and secrets—without revealing her own murderous past?
The first 1/3-1/2 of this book was really great.
Every story needs a hero. Every story needs a villain. Every story needs a secret.
Wink is the odd, mysterious neighbor girl, wild red hair and freckles. Poppy is the blond bully and the beautiful, manipulative high school queen bee. Midnight is the sweet, uncertain boy caught between them. Wink. Poppy. Midnight. Two girls. One boy. Three voices that burst onto the page in short, sharp, bewitching chapters, and spiral swiftly and inexorably toward something terrible or tricky or tremendous.
What really happened? Someone knows. Someone is lying.
For fans of Holly Black, We Were Liars, and The Virgin Suicides, this mysterious tale full of intrigue, dread, beauty, and a whiff of something strange will leave you utterly entranced.
“We were like the three Fates, weaving the story together, threads of gold, red, and midnight blue. There would be wolves and tricks and lies and cunning and vengeance in our story. I would make sure of it.”
The lives of Toronto teens Crystal and Becca Hatcher revolve around helping their mother out at the family's used bookstore, The Speckled Muse. It's a relatively uneventful after-school job, until an package arrives addressed to her mother, Julia. Thinking it's nothing more than run-of-the-mill inventory, Becca opens it and removes the book inside, unwittingly triggering an ancient magic and intertwining their fates with the powers that flow from the mysterious leather-bound book. Two parallel worlds collide and Becca is left in a catatonic state after her spirit is snatched from modern-day Toronto back to the ancient world of Mytica. Crys is guilt-ridden, having witnessed the entire event, and vows to do whatever is necessary to save her… but from what? Nothing has prepared them for what’s in store.
Written in alternating perspectives that shift between modern-day Toronto and the ancient kingdoms of Mytica, Rhodes delivers a rich and suspenseful series opener that will leave readers breathless.
“My name is Becca Hatcher. I don’t know what’s happened to me, where I am, or how I got here, but I know one thing. You’re going to help me get back home.”
Hermione Winters is captain of her cheerleading team, and in tiny Palermo Heights, this doesn’t mean what you think it means. At PHHS, the cheerleaders don't cheer for the sports teams; they are the sports team—the pride and joy of a tiny town. The team's summer training camp is Hermione's last and marks the beginning of the end of…she’s not sure what. She does know this season could make her a legend. But during a camp party, someone slips something in her drink. And it all goes black.
In every class, there's a star cheerleader and a pariah pregnant girl. They're never supposed to be the same person. Hermione struggles to regain the control she's always had and faces a wrenching decision about how to move on. The assault wasn't the beginning of Hermione Winter's story and she's not going to let it be the end. She won’t be anyone’s cautionary tale.
“I’m not going to quit, Florry.” I look up and see that Polly has turned around again, and that Caledon is looking at me in the mirror. “I am not going to quit.”
TRIGGER WARNING – RAPE.
I think some people will have issues with this book. I get that. I really do. But I also think the ultimate strength of Exit, Pursued by a Bear is that it is not a typical story about a girl who gets raped and is consumed by it. Those stories absolutely matter and they are oh so very important, but there are many different experiences out there and I’m glad this one is being told.
In my experience, stories about rape survivors fall into one of two categories: 1) a girl (occasionally, a boy) falling apart in the aftermath of rape, or 2) a mystery about the rapist’s identity. This is neither. Hermione is sad, confused and angry, but this is predominantly a book about strength.
Rape is a crime often about power and weakness – the rapist makes the victim powerless by taking away their choice – but here Hermione does something unusual. She reclaims the power stolen from her. She has a strong support system. She doesn’t become defined by what happened.
She is the most powerful Jinni of all. He is a boy from the streets. Their love will shake the world... When Aladdin discovers Zahra's jinni lamp, Zahra is thrust back into a world she hasn't seen in hundreds of years -- a world where magic is forbidden and Zahra's very existence is illegal. She must disguise herself to stay alive, using ancient shape-shifting magic, until her new master has selected his three wishes. But when the King of the Jinn offers Zahra a chance to be free of her lamp forever, she seizes the opportunity—only to discover she is falling in love with Aladdin. When saving herself means betraying him, Zahra must decide once and for all: is winning her freedom worth losing her heart? As time unravels and her enemies close in, Zahra finds herself suspended between danger and desire in this dazzling retelling of Aladdin from acclaimed author Jessica Khoury.
“Wishes have a way of twisting themselves, and there is nothing more dangerous than getting your heart’s desire. The question is, are you willing to gamble? How much are you willing to lose? What are you willing to risk everything for?”