Published by St. Martin's Press on September 4th 2018
Genres: Young Adult Fiction, Thrillers & Suspense
Buy on Amazon
And it begins, as so many stories do, with a dead girl.
Holy hell, this book hit me hard.
And it begins, as so many stories do, with a dead girl.
Holy hell, this book hit me hard.
School’s out now. It’s time to go.
Scarlet blood on ivory snow.
When I was about thirteen and in school, this girl said to me in a voice dripping with sarcasm “Nice shoes. Did you get them from Aldi*?” Evidently implying that my shoes were cheap and tacky. Me being the socially clueless specimen I was back then, was totally confused. My shoes weren’t even cheap; they were similar to the kind of shoes every other girl was wearing. I honestly thought this girl was mistaken so I tried to explain “Er, do you mean you think they’re cheap? Um, no, they’re from River Island.” The girl looked at me like she’d just scraped me off her shoe and walked off with her friends, all of them rolling their eyes. They probably muttered something like “weirdo” as they walked away. I forget.
Later I understood my error – this conversation had never been about my shoes, it was a power struggle and I had lost. I felt humiliated that I hadn’t got it. That I hadn’t ignored her, or laughed in her face, or cleverly insulted her back.
This book is about a girl called Rachel who faces the humiliation of losing one power struggle after another. She desperately wants to prove herself but just ends up giving those against her the material they need to look down on her even more. She gradually lets her humiliation and pain turn into hate, rage and eventually revenge.
It’s a deeply unsettling novel because it stems from places and emotions many of us will recognise. It takes those familiar situations that inspired embarrassment, frustration and anger… and it gets darker and darker. Rachel is so many things. I felt sympathy for her, I hated her behaviour, I was disgusted by her, I wanted her to get where she needed to be, I wanted her to fail. Despite the title, the one thing Rachel isn’t is boring.
This book is a unique blend of Metal music, obsessive female friendships and mass murder. It stands on its own as a compelling story but it also fits in with a new breed of novels that do a twisted, sometimes feminist take on conventional thrillers. Gone Girl, The Girl on the Train and Black Iris are some more that come to mind, and I find myself liking this little sub-genre very much. These are psychological thrillers that are almost more suited to the Contemporary genre – telling the tale of these women’s lives, thoughts, desires, insecurities and the madness lurking under the surface. Far more unsettling than the traditional thrillers, in my opinion.
From Rachel’s humiliating experience in school, to a guy she liked harshly rejecting her, to the sexist male musicians in the Metal world, we go on this journey with her. She’s twisted as fuck, totally unlikable, and yet… the psychological insight we get evokes sympathy for her. Love her or hate her, she’s a fascinating character. Being inside her mind makes it hard to put this book down.
I hope Ms Taylor writes more nasty goodness soon.
Read the excerpt below or view as a PDF
It seems like everyone I talk to wants to know two things. One is whether I’m a serial killer or a mass murderer. The way I understand it, a serial killer kills people over a length of time and doesn’t get caught for a while. A mass murderer does it all in one go and gets caught in the act. I’m going to have to leave it up to them to decide, because Fern and I did both, and I’m really not an expert.
People like to label things.The news people need to know what to call us in the headlines.They need to ﬁgure out which names to list us beside when they’re categorizing killers. I’ve even heard the word “massacre” used to describe everything that happened at the end.We wanted it to be dramatic, but not because we wanted to make a big scene. It had to be dramatic so that no one would ﬁgure out what was happening until we were ﬁnished with it. We needed to have time. And we had deﬁnitely been thinking about it for ages, so I guess you could call it “premeditated.”
The other thing they want to ﬁgure out is why. And I keep telling them and telling them. I’m always telling them the same thing. But they don’t believe me. My answer isn’t good enough. They want more.They want to be able to blame something else, and other people, and have a long, complicated chain of events that add up to who Fern and I ended up being so that they can reassure themselves it can’t happen to just anyone.
Not just anyone can become a killer.That’s what they want to think. It takes special circumstances.Two young ladies from good homes cannot commit a massacre without something very evil and unusual happening, the fates aligning to produce this sort of thing.
Well, they’re right, but it has nothing to do with my family. They keep asking me about my parents. Did my father hit me? Did my mother verbally abuse me? Did I have a creepy uncle who touched me? Did my father and mother touch me? No, I tell them. Over and over. And I’ll tell you now: my parents raised me well. I love them very much. And even though they aren’t too interested in talking to me right now, which I understand, I will always love them.They were always good to me and my sister. I had a nice childhood. And from what I know of Fern, she did too. And I keep telling them that, and they act like I didn’t answer the question.They always ask again.
What about the music I listened to? The music I played? Hasn’t it always been easy to point the ﬁnger at that sort of thing? The music, the video games? Setting young people out of their minds onto killing rampages? The parents wringing their hands and blaming the vicious rock stars for warping the innocent? Running through their schools with semi-automatic weapons, gunning down nice people who listened to nice music? If you want to blame the music, it wouldn’t be hard. Fern and I like death metal. Dark, heavy, disgusting death metal. Filled with lyrics that a lot of people don’t like. Most of the people in these bands are guys. Angry-looking guys. And I mean, these bands have names that seem tailor-made to be blamed for a massacre: Deathbloat? Bloodvomit? Torn Bowel? And, of course, Die Every Death. I can’t leave them off the list. Lest we forget.
So how easy is it to point at me and Fern and then slide that pointing ﬁnger to our CD collections? Really easy. I mean, let’s be real.Torn Bowel? I totally get why somebody’s mother wouldn’t like the sound of that. Too bad. They’re some of the nicest guys I know, and I’m sure they’ve been hounded by the press about me and Fern, and I feel bad about it. They didn’t kill anybody. As much as they might have written songs about murder, they never did it. I’m sure they’re facing a lot of questions now, simply because they’re our friends. They’ll have to explain the music to outraged activists and families and journalists and church folks and talk-show hosts.A lot of bands will. Ones we were friends with, ones we weren’t. I’m sad for that. It wasn’t their fault.
I’m sure there are murderers in the world who listen to nice acoustic folk music or play the harp or something. Killing people isn’t exclusive to those of us who listen to Torn Bowel. People were murderers before there was recorded music. Before radios. Before running water.The whole thing is silly.
You can’t blame music.You can blame me.
And you can damn well blame the people who gave me the reason to do it.
I tell them over and over again why we did it. It’s very simple. Maybe we should have dealt with it differently. Maybe we should have exercised forgiveness. But in my opinion, some things cannot be forgiven. Some people cannot be looked at with compassion. It’s kind of ironic, because the people judging me believe that I should have been compassionate, but they aren’t looking at me with any. Everyone is a hypo- crite. Everyone, deep within themselves, whether they want to acknowledge it or not, knows that there are things that they would not be able to forgive.
Fern and I could not forgive. And the reason we murdered these people was very simple.
It was for revenge.
I have always lived in the same house in Keeleford. My family never moved, I never had to start all over again in a new school. I had that sort of idyllic childhood, growing up on a street with neighbours we knew. A nice community, you know. A normal youth. A good family.
My parents didn’t have a ton of money. We have a small bungalow, with three bedrooms, on Shade Street. Next door was Mrs. Collins, who lived alone after her husband died. Across the street was an elderly couple. On the corner lived a family with a few kids younger than me and a dog that always chased us along its side of the backyard fence when we’d walk by. When I was ﬁve, my sister, Melissa, was born. There was a little store where Dad would take us to buy candies: red jelly feet, cinnamon-ﬂavoured lips, black licorice sticks.There was a park nearby. Our schools were in walking distance.
My father was a high school teacher, but he worked at a school in a neighbouring town, so luckily Melissa and I would never have to face the social awkwardness of having our dad in our high school.We did, however, have to face the awkwardness of having a father who taught English and always liked to hit us up with word games.
He would sit at the dining room table, marking his papers, and I believe he liked to compare the intellect of his students with the intellect of his daughters, always raging to Mom about our superiority, of course.
“Rachel,” he once said to me,“can you think of a word that rhymes with orange?”
I thought for a minute, because when I was younger, I liked these games. I liked that my dad, a teacher, would come to me for my ideas. I liked thinking that I was smarter than the older kids in his classes. To this particular question, I answered “porridge.”
“Okay,” Dad said. “Now make a ‘roses are red’ poem with orange and porridge.”
I thought for a few more minutes and then announced,
Roses are red, Violets are orange. Goldilocks ate
The three bears’ porridge.
“I love it!” my father said, beaming at me.“Creative. I’ve got ﬁfteen-year-old kids in this class who couldn’t think of that. Marilyn,” he said to my mother,“your ten-year-old daughter is writing better poetry than my class is.”
Melissa got into it as well:
Roses are red, Violets are orange. When it rained, It was a storm.
“Brilliant!” My father applauded. I knew that mine was better. Of course, Melissa was only ﬁve, I could concede that. But I believed that my father thought me to be a genius, and it inspired me to start writing poems and stories. I kept many journals, which I never showed my parents despite my desire for their praise. I believed my diaries to be full of secrets that were mine alone, regardless of the irrelevance of the events they recorded.
But I always wrote them with the idea that someone would read them. I remember being in ﬁfth grade and receiving my ﬁrst diary as a birthday gift. It had a little lock on the outside that you could easily pick. I wanted to make a good impression on my phantom audience. I wanted my future readers to be intrigued by me, to marvel at how exciting a life I was leading, to be impressed by my intellect. If my family ever snooped, I wanted them to be surprised.
So I started making things up. Spicing up my existence. I would casually mention how a police ofﬁcer had asked for my help to solve a crime and how he had admired my detective skills. I would write about how I had fought off a kidnapper who was attempting to abduct a little kid and how the kid’s parents offered me a reward that I graciously declined. My diary became ﬁlled with so much fantasy, which was more interesting to me than the dull normality I actually existed in. My mother worked as a receptionist in a dental clinic, and she also loved art. When me and Melissa were babies, she created paintings for our rooms: watercolour scenes, ﬂowers, portraits of us. Her stuff was all around the house, really. And her shelves were packed with books on art history. Big heavy books with thick glossy pages ﬁlled with paintings. Those books were really something special to me, almost magical.
I remember looking through the books with her, always focusing on the art with children. She’d talk to me about the paintings and the artists, pointing out the colours they used and why they worked well together, complementary colours — you could make blue look brighter by putting orange next to it, things like that. I didn’t really absorb much colour theory, but it was fun that Mom would do crayon drawings with us and let us use her fancy grown-up paints too. I didn’t know any other kids with moms who would do that.
Some of the pictures in the art books were pretty frightening to me when I was little. She’d skip by sections of the book to avoid them, but I’d see quick ﬂashes: Christ being cruciﬁed, his haunted eyes and bloody hands. I didn’t like that.
One afternoon when I was about twelve, I was looking through one of her books by myself and I ﬂipped to a page and froze.
The painting was of two women. One wore a blue dress and one wore a red dress. They had pinned a very large man down on a mattress and were obviously struggling with him, and winning. The woman in blue was cutting the man’s neck with a sword, and blood was spilling onto the bed.
I was transﬁxed. The women looked so calm, so focused. They were working together on this. The title of the painting was Judith Slaying Holofernes. I called my mother into the room.
“Mom, what’s this painting about?”
She looked at it thoughtfully. “I believe Holofernes was a cruel war captain, and Judith is the woman who was sent to kill him to save her village.You know, the artist of this painting is a woman. She’s remembered as sort of a feminist artist who did some very important things for women in her time.”
“Who’s the other girl?”
“Judith’s maid, I think.” My mother turned the page, and there was another painting, where Judith and her maid carried a suspiciously shaped bag. “Yes, it says here, Judith and her Maidservant.”
“They have his head in that bag,” I said.
“You know, Rachel, I don’t really like these paintings,” my mother said.“Don’t you think that they’re very violent?”
“But the girls are friends. And they killed him for a good reason.”
“Yes, they did,” my mother said. “But I think it would be nice for you to look at some other paintings in this book.That picture is very sad, and I think it’s nice to look at good things to make ourselves happier. It’s more inspiring.”
In bed that night, I kept thinking about Judith and her friend killing the war captain, against all odds. I didn’t see how my mother couldn’t ﬁnd that inspiring. I wanted a friend like that. I wanted an ally, someone to have a secret with, someone I knew I could rely on, someone I could trust with my very life if I needed to.
So with our father praising our intellect and my mother encouraging creativity, Melissa and I really did grow up happily. I got good marks in school, especially in art and writing classes, and I had a few good friends.
I was not overtly social. I preferred to read or draw or write in my free time, but I went to the birthday parties and was in the school play in some minor role. I enjoyed all those things, but what I really wanted to do was be creative on my own.And my parents always supported that.
Once I reached high school, like pretty much every human being on the face of the earth, I stopped caring so much about what my family thought of me. My dad’s cute word games became annoying, but Melissa still played with him, so I was luckily exempt. I didn’t care so much for my mother’s paintings, seeing as how I can only get so excited over a watercolour sparrow. And then I discovered metal.
The complete list of tour stops:
Review and Giveaway, A Dream Within A Dream, http://adreamwithindream.blogspot.ca/, April 1, 2015
Review and Excerpt (Ch. 1), The Book Geek, http://thebookgeek.co.uk/, April 3, 2015
Review, Excerpt (Ch. 2) and Giveaway, Bookish, http://evie-bookish.blogspot.ca/, April 5, 2015
Review, The Book Tales, http://thebooktales.com, April 6, 2015
Review and Excerpt (Ch. 3), Book Bug, https://bookbug2012.wordpress.com/, April 7, 2015
Review, Giveaway, and Metal Playlist for the Book, SteffMetal, http://steffmetal.com, April 8, 2015
Review, What Is Much, http://whatismuch.com/, April 9, 2015
Review and Giveaway, MetalHeadBlog, http://metalheadblog.com, April 10, 2015
Review and Giveaway, Nimrod Street, http://nimrodstreet.com, April 11, 2015
Review, Svetlana’s Reads and Views, http://sveta-randomblog.blogspot.ca/, April 12, 2015
Review, The Book Stylist, https://thebookstylist.wordpress.com, April 13, 2015
Guest Post, Dear Teen Me, http://dearteenme.com, April 14, 2015
For more information about the blog tour, visit: http://ecwpress.com/boringgirls-blogtour
Every night of the year, the market lived and breathed and thrived. The stalls were always changing, but the energy remained, as much a part of the city as the river it fed on. Kell traced the edge of the bank, weaving through the evening fair, savoring the taste and smell of the air, the sound of laughter and music, the thrum of magic.
I’m already a Victoria Schwab fan after reading her good vs evil superhero urban fantasy novel – Vicious – so I couldn’t wait to get reacquainted with her addictive writing style, complex characters and wonderfully-conceived fantasy worlds. As it turns out, A Darker Shade of Magic was even more than I’d expected.
This book feels more like traditional fantasy than Vicious with the style, the invention of a new language, the large cast of characters, the magic, and the focus on royal/political dynamics. And yet, to use the word “traditional” anywhere near this novel is an injustice because it’s unlike anything I’ve ever read before.
The characters are weird and colorful, somehow without feeling gimmicky. We have a protagonist – Kell – who is strong and badass enough to root for, but also complex and layered enough for us to truly care about and relate to at times. Plus, he has a coat that has many sides, which he turns around depending on how he wants to look – insane, unique, wonderful. Schwab’s imagination clearly knows no bounds.
We also have a cross-dressing pirate who happens to be a tough, infuriating and lovable female character – Lila. And a promiscuous prince, villains who are blood slaves, evil twin rulers and much more.
And then there’s this bizarre world that just played on every one of my senses. The author asks us to believe in a setting that is incredibly farfetched and yet she breathes life into this world with evocative language and makes the unbelievable something we can picture in our heads. She shares little stories from this world’s history to flesh out the picture:
The infamous Krös Mejkt, the “Stone Forest,” was made up not of trees but of statues, all of them people. It was rumored the figures hadn’t always been stone, that the forest was actually a graveyard, kept by the Danes to commemorate those they killed, and remind any who passed through the outer wall of what happened to traitors in the twins’ London.
What’s all this about the “twins’ London”? Well, in this world there are four different versions of London that only the Antari like Kell can move between. Technically, there are only three these days because Black London fell, consumed by its own misuse of magic. The others are Grey London (the one we know), Red London (the one Kell is from) and White London (ruled over by the sadistic Danes twins).
Everyone, it seems, is out to use magic for their own selfish goals in this book. And when a mysterious relic from Black London – a relic that should have been destroyed – reappears, Kell and Lila must do what they can to protect it from all those who wish to claim it as their own.
Nothing short of a wild, fast-paced adventure.
Even after years of trauma therapy, Peyton still believes she’s broken. She has little desire to date or show off her natural beauty, content simply to hang out with her best friends and run her pie shop in New Orleans. But her world turns upside-down when a handsome architect and self-confessed player shows up in her shop and thinks she’s perfect, much more than the usual hook-up. While Peyton does her best to resist his charms, believing she could never be enough for him, she can’t deny the obvious heat between them.
With Reed determined to have her, Peyton must decide whether to continue to hide behind her apron and baggy clothes or take a chance and share her scars with Reed, a man with a playboy reputation and scars of his own — a dark past he can’t possibly share with Peyton, not after learning the horrors she’s endured. But if they can find a way to trust each other, and themselves, they just might be able to heal, to save each other, to live perfectly broken together.
Purchase from Amazon.
Prescott Lane is originally from Little Rock, Arkansas, and graduated from Centenary College in 1997 with a degree in sociology. She went on to Tulane University to receive her MSW in 1998, after which she worked with developmentally delayed and disabled children. She currently resides in New Orleans with her husband and two children.
Tour wide giveaway
—$50 Amazon gift card
a Rafflecopter giveaway